黃碧琪，2010年畢業於香港演藝學院，主修編舞。編舞作品有《在時間癱軟時》、《女身》、《19841012》、《隅》及《睇女》，作品曾在冰島、日本、韓國、馬來西亞、新加坡、中國及澳洲重演。碧琪在2015年前往日本學習舞踏Butoh，並於2016年參與舞踏大師和栗由紀夫的劇場創作《白房間》。她在2017年獲得獎學金前往維也納國際舞蹈節ImPulsTanz深造，參與Atlas課程精修編舞。
碧琪在2018年獲選為西九文化區Creative Meeting Point的藝術家之一，將連續三年前往西班牙交流。2019年，其作品《睇・女》（《198491牆後的赤裸信息》的一部份）獲得舞蹈年獎。碧琪現為自由身舞蹈工作者，期望未來的創作繼續以女性的角度出發，挑戰傳統東方價值觀。她亦會走訪世界各地不同的環境，吸收不同的養份，豐富創作，讓思考得以沈澱發酵及成長。
Hong Kong Academy for Performing Arts graduate Pik Kei Wong has been creating choreography and performances that question stereotypes from a female perspective. Sometimes provocative, her works evoke a revaluation of attitudes by and towards – women, body, and desires, especially sex.
Pik Kei’s major works include when time limps, Woman.Body, 19841012, Nook, and Bird-Watching, which have been performed in Iceland, Japan, Korea, Malaysia, Singapore, China, and Australia.
Wong studied Butoh under master Yukio Waguri and participated in the theatre production, White Room in 2016. Earning a scholarship in 2017, she joined the Atlas choreography workshops at the ImPulsTanz Vienna International Dance Festival. In 2018, Wong participated in Creative Meeting Point: Hong Kong x Barcelona, a residency exchange program with the support of West Kowloon Cultural District. Her work Bird-Watching, a part of The Message Behind the Wall by 198491, won the Outstanding Small Venue Production 2019.
As a dance artist, Wong seeks to enrich her choreography through contemplation of social issues. She anticipates creating more works from the perspective of women that question traditional Asian mindset.
